Anna Walker, Senior Arts + Culture Editor, The Conversation, Gemma Ware, Head of Audio, The Conversation UK, The Conversation, Naomi Joseph, Arts + Culture Editor, The Conversation
Jane Austen’s Paper Trail is a podcast from The Conversation celebrating 250 years since Jane Austen’s birth. In each episode, we’ll be investigating a different aspect of Austen’s personality by interrogating one of her novels with leading Austen researchers. Along the way we’ll visit locations important to Austen to uncover a particular aspect of her life and the times she lived in. In episode 2, we look at Jane the romantic, through the pages of Pride and Prejudice.
Every heroine in a Jane Austen novel ends up married. It is the bow on the end of every story that ties up all the loose threads – seemingly the ultimate happy ending. However, while marriage is an conclusion she chose for her characters, it is not one she chose for herself.
Austen did have suitors – most famously the dashing Irishman Thomas Lefroy, with whom she had a brief but intense flirtation. There were even proposals, notably one in 1802 from Harris Bigg-Wither, the wealthy brother of a friend, which she accepted only to promptly break off the very next morning.
It seems likely that Austen chose singledom, even though she was clearly preoccupied with romance and marriage. Many readers consider her one of history’s greatest writers of romance.
That her novels centre on love and marriage has sometimes led critics to dismiss them as light or frivolous. But beneath every courtship and proposal lies a sharp commentary on class, money, morality and the limited choices available to women in Georgian England.
Austen’s heroines are smart, capable women – often more so than the men in their lives, many of whom have made choices that have left their families in financial straits. But these middle-class women are unable to work and so must pursue the only option really available to them, marriage.
Nowhere is this tension clearer than in Austen’s second novel, Pride and Prejudice. Published in 1813, it follows Elizabeth Bennet – bright, outspoken, and sceptical of society’s conventions. Unluckily for her, she has a mother who is obsessed with securing suitable marriages for her and her four sisters – an obsession that is sent into overdrive when the eligible Mr Bingley moves into the neighbourhood, bringing his arrogant but equally eligible friend Mr Darcy with him.
In the second episode of Jane Austen’s Paper Trail, as we explore romance in the world of Jane Austen, Naomi Joseph visits a Regency ball at the Grand Assembly Rooms in York with Meg Kobza. An expert in the Georgian social calendar, at Newcastle University, Kobza has produced similar recreations at the Bath Assembly Rooms – where Austen attended balls and was courted by several men.
As dancers in all manner of Regency dress attempt a minuet in the soft candlelight of the main ballroom, Kobza helps us understand the complicated relationship Austen had with romance.
Over the course of Pride and Prejudice, Lizzie, and the other women in her life, must navigate their feelings on the whole institution of marriage. There are marriages of convenience, potentially socially ruinous unions, hasty weddings, quiet passions and, of course, love matches – and Austen seems to have opinions on them all.
“Jane herself was dependent on her father and then later her brothers for financial security. And we see in many of her novels financial security is driving a lot of her heroines to opt for or against certain matches,” says Kobza. “If you didn’t get married at all, you became a spinster, you’re a burden to your family.”
Later on in the episode, Anna Walker takes a deeper dive into Austen’s view of romance in Pride and Prejudice with two more experts. Octavia Cox is a lecturer in 18th and 19th century literature at the University of Oxford, and founder of the popular YouTube channel All Things Classic Literature. Joining her round the table is Adam J. Smith, an associate professor in English literature at York, St. John University who researches satire and the gothic, romantic and sentimental genres.
As Cox explains, Pride and Prejudice is “a joyful love story in that the two central characters, Darcy and Lizzie talk about and value happiness and how to achieve happiness. But there’s a lot more going on too.” Smith agrees: “The more I read Austen, the more I feel that all of the books are really about how to read and understand and interpret the world.”
Listen to episode 2 of Jane Austen’s Paper Trail wherever you get your podcasts. If you’re craving more Austen, check out our Jane Austen 250 page for more expert articles celebrating the anniversary.
Disclosure statement:
Meg Kobza recieved funding from the Leverhulme Trust and the British Academy and the Society of Antiquaries funded the Bath fancy dress pop up ball and exhibition.
Adam J Smith sits on the Senate of the British Society for Eighteenth-Century Studies, which is a registered charity.
Octavia Cox does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.
Jane Austen’s Paper Trail is hosted by Anna Walker with reporting from Jane Wright and Naomi Joseph. Senior producer and sound designer is Eloise Stevens and the executive producer is Gemma Ware. Artwork by Alice Mason and Naomi Joseph.
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