How Disney classics help me teach real-world economics
Was Cinderella’s happy ending with Prince Charming really largely the result of personal ambition? This is the kind of question I address in the course Economics for Everyone.
Junaid B. Jahangir, Associate Professor, Economics, MacEwan University
I teach economics using Disney and Cinderella. My approach is groundedin scholarly, popular and student critiques of how economics is taught and of the myth of meritocracy — that people get what they deserve.
The idea of “real world” economics alludes to the push by student groups in the aftermath of the 2008 financial crisis. They were concerned that while they were inundated with mathematical equations, their studies had not prepared them to address the state of the world.
Economist John Komlos focuses on the need for diverse or “real-world” issues in economics education while economists Jack Reardon and Maria Alejandra Caporale Madi write about a new “pluralist” economics. Political economist and economic historian Robert Skidelsky discusses why economics should include philosophy, history, sociology and politics.
Traditionally, in the first year of economics programs, students become deeply familiar with economic theoretical ideas that are posited as scientifically neutral or “value-free” models. However, as scholars like James Kwak and Komlos note, these theories are value-laden and promote neoliberal ideas that rest upon assuming the benefits of privatization, deregulation and small governments.
To teach first-year economics, instead of beginning with mathematical theories, I begin with real-world situations students are familiar with that speak to economic realities. The approach is inspired by Komlos and by a former student, Declan Jensen-Joyce, who asked me to emphasize diverse perspectives and real-world content.
I de-emphasize math at the introductory level, as many first-year students from varied disciplines (like business students majoring in accounting) have to take an introductory economics course. I emphasize a critical evaluation of mathematical models, an approach I sustain in advanced economics classes. Students who advance in economics are critically prepared to consider the limits of mathematical models.
Economics for everyone
The course I designed, “Economics for Everyone,” is offered for undergraduate students and also for senior citizens as part of the Edmonton Lifelong Learners Association. The class centres issues of economic inequality, worker exploitation and systemic discrimination.
I draw on mainstream (neoclassical) economic theory that emphasizes rationality, equilibrium and markets. I also draw on critiques of the field of economics from thinkers both within economics and from disciplines like anthropology, philosophy and history.
Using popular stories to reinforce concepts and ideas when teaching economics isn’t new. Especially since a seminal critique of the “chalk and talk” method — lots of math on a blackboard combined with lecturing — there has been a surge of research involving the use of games, video clips, popular books and other creative media to engage students.
The Disney message on Cinderella’s 75th anniversary is just one perspective.
In my class, I show a video clip to discuss the role of both luck and the importance of equality of opportunity in Cinderella’s happy ending. On the one hand, Cinderella’s good looks gave her luck. On the other hand, her opportunities could have been thwarted had it not been for interventions from outsiders.
For example, students learn that a level playing field was created when the Grand Duke allows Cinderella to try the slipper despite the unfair tactics of her stepmother, Lady Tremaine.
Disney Kids: Cinderella tries on the glass slipper.
Cinderella also allows us to recognize that people cannot exercise free choice unless they are economically free — as in the case of Cinderella, who must follow orders so she doesn’t end up on the streets.
Through The Princess and The Frog, a 2009 Disney musical, I consider the characters Tiana and Charlotte as children and as adults. I contrast the wealthy neighbourhood of Charlotte’s (white) family and Tiana’s neighbourhood of working-class Black families in order to teach the economics of racism.
This allows recognition of the systemic impact of neighbourhoods with poor schools and high unemployment on limiting upward social mobility. These themes also support discussing covert racism in the discipline of economics and how communities and systems of governance can mitigate inequalities.
For example, Stromboli enriches himself with gold coins by exploiting Pinocchio’s labour and keeping him in a cage. Examining this story allows an opportunity to broach the mistreatment of poor migrant workers in the Middle East with dismal living conditions.
Overall, various Disney animations allow me to broach real-world economic issues in a manner that captures the interest of students, young and old.
Junaid B. Jahangir does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
This article is republished from The Conversation under a Creative Commons license.